Wednesday, 24 February 2021
Homeland:Eighteen Bitter Songs
Versions of Yannis Ritsos
by David Harsent
Date of Publication : 4 March 2021.
Available now to pre-order
David Harsent has published thirteen volumes of poetry. Legion won the Forward Prize for best collection; Night was triple short-listed in the UK and won the Griffin International Poetry Prize. Fire Songs won the T.S.Eliot Prize. A new collection, Loss, appeared in January 2020. In Secret, Harsent’s versions of Yannis Ritsos, published in 2012, was a Poetry Book Society Recommended Translation.
John Kittmer has a PhD in modern Greek literature and is working on the poetry of Yannis Ritsos.
Critical praise for Homeland:-
The poetics of an ongoing and bitter revolution needs to be compressed and tough while offering hope. The Greek poet Yannis Ritsos’s Eighteen Bitter Songs, set to music by Mikis Theodorakis, were written in hardship under the rule of the Colonels in 1968. They make a set of eighteen double couplets focusing on the tribulations and consolations of struggle in a natural landscape. David Harsent renders them with a clarity, precision and austere passion that is perfect for our times.
These exquisite and beautifully chiselled poems themselves become, in Ritsos’s words as translated by Harsent, “a door that opens onto Greece”: conjuring Greek landscape, Greek poetry and Greek heartache.
The sober, elegant design of Homeland: Eighteen Bitter Songs commends itself to the hand and the eye, and is perfectly suited to the grave music of David Harsent’s versions of Yannis Ritsos.
David Harsent’s new versions of that abundant poet Yannis Ritsos’ tersest poems are timely: it is as if Greek tenacity, now in the testing times of economic calamity, needed to be honoured anew. They are shrewd and often surprising recreations of poems whose reticence is a form of resistance.
David Ricks, Professor Emeritus of Modern Greek and Comparative Literature, King’s College, London
Ritsos’s curt and sometimes cryptic verses are like the ‘Bitter Songs’ that a person in political danger might sing, sotto voce, to sustain his or her spirit of resistance. Harsent finds and holds just the right pitch to convey to the English reader their urgency and quiet power.